A group of six quirky but doughty kids fall into the path of a immense and terrible paranormal darkness that has invaded our realm from the outer limits of darkness. They have no choice but to spend their lifetimes fighting it, facing one nightmare after another in the ordeal.
This outlines the narrative, roughly, of the master of horror’s iconic book It (arguably his finest; no arguments). It is also the plot of the celebrated author’s heir Joe Hill’s recent horror doorstopper, in which a close-knit group invoke the primordial, infinitely malicious beast the Sorrowful Monarch from the Abyssal Void to assist them in vanquishing some villains. Needless to say, their arcane ceremony goes awry.
The author launched his profession striving diligently to remain separate from his renowned parent, publishing under the pen name he maintains to this day and steering clear of encounters with his agent (he possesses a strong similarity to his dad). However, in his newest work, he embraces it. There are lines that consciously reflect some of the senior author’s well-known (“The man in black fled across the desert …”); a scene that recalls a recurring theme in King’s works (a battle of wits). In this whopper of a novel, Joe Hill takes pleasure in his lineage, and the audience revels alongside.
Back to those friends: most are pupils at the fictional this academic setting in Maine. There’s Arthur, academic and brilliant, solving historical enigmas in his free moments; Colin, wealthy, astute, and inclined to bulldoze those who oppose him; the twin siblings; the stunning Allie. Then we have Gwen, who remains outside their academic circle, but emerges as crucial of their band as they dabble, half believing, somewhat doubtful, in arcane arts.
The protagonist finds himself, for reasons we don’t need to go into, forced into stealing prized manuscripts from his beloved college library by a bunch of local criminals. This tears at his bookish heart, especially when he’s compelled to seize the collection’s foremost and disturbing work: the journal of adept Enoch Crane (put to death “for conspiring with dark forces in 1703”; the binding is made from his skin). Our Scooby gang examine the log, discover they could summon what Crane describes as a clever snake to aid our hero with his blackmail problem – and devote the remaining story enduring the repercussions. The dragon will undoubtedly remove those annoying regional antagonists, but they’ll have to choose a fresh offering every twelve months or become his victim themselves. As our protagonist states: “You invoke terrible forces, all you get is additional horrors.”
Moving through four decades, Hill also moves with seamless grace through various literary forms: as the companions endeavor to address the circumstances they find themselves in by, in different ways, selecting clearly malevolent individuals to offer up, or searching for methods to kill the dragon themselves, we go from suspense to grim fantasy, clandestine torment to love story to horror. A standout transition was to a adventure narrative, deep in the caves beneath this UK region, a section infused with JRR Tolkien that was magnificently horrifying.
The novel features trolls – those living under bridges and digital trolls, properly scary and expertly realized. We see enchanted blades and betrayals, breath-taking moments of bravery and scenes of terrible wickedness, both human and otherworldly. It stands as a masterpiece: a chilling book that is above all a ode to the imagination, and to affection and camaraderie. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the allies gather at the table, making preparations to call forth their dragon to life with the force of their minds.
According to Joe Hill in his opening statement: “Here be dragons”. Don’t miss them.
Elena is a seasoned luxury travel writer with a passion for uncovering exclusive destinations and sharing insider tips.